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What the critics say:
About Ensemble Caprice:
« A true world of expressive gestures, colors and delicate ornaments. The pleasure of contrasting dynamics can be heard clearly. »
Klassik Heute – Germany
Sweet Follia
« Yes, this recital wears its title well; it is a sweet folly that emerges out of this fascinating encounter between early music and works composed by Matthias Maute. Striking! »
Classica – France
« We were transported to exalted realms… »
La Presse – Canada
« Brilliantly played and excellently interpreted. »
Stuttgarter Zeitung – Germany
« Such dazzling virtuosity on the recorder leaves you in staggering daze! We wonder by which diabolical trick the flautists manage to articulate at such speed, with so much breath and energy. »
Le Devoir – Canada
« Ensemble Caprice, the Montreal-based early music group, knows how to make an entrance… In the Presto, Maute tossed off runs and ornaments at hair-raising speed, but with such control that he was able to give dynamic and expressive shape to the whirls of notes. »
Sun-Sentinel – USA
« The playing of the musicians was expressive, the dynamics pliable as putty, the plasticity of their phrasing warm and extravagant, and their virtuosity brilliant. »
The Chronicle Herald – Canada
About the musicians:
Matthias Maute
« In the Vivaldi concertos Matthias Maute performed, he displayed a rare virtuosity. With a pure, round tone he swept through Vivaldi’s rapid-fire runs, barely taking a breath. The deep expression proved that Maute may be the finest of today’s players… »
Washington Post – USA
« …Recorder virtuoso Matthias Maute offered contrasting concerti by Telemann and Vivaldi, playing both of them with crackling vitality and whizzing velocity. »
Boston Globe – USA
« Antonio Vivaldi's E Minor Concerto … was performed with exuberant panache and jaw-dropping virtuosity by the amazing Matthias Maute, who is clearly poised to be early music's next breakout superstar. »
The Kansas City Star – USA
Sophie Larivière
« The flutes and recorders of Matthias Maute and Sophie Larivière were an absolute delight. »
New York Times – USA
Music as an art of living
« Thanks to an iron will and an unquestionable talent, she offers the Montreal audience surprising and always brilliant concerts. »
Le Journal de Montréal – Canada
« The perfect technique and sensibility of play of flutist Sophie Larivière takes your breath away »
L’Acadie nouvelle – Canada
Erin Helyard
« The harpsichordist Erin Helyard is a virtuoso »
La Presse – Canada
Helyard’s star ascendent
« The Haydn Trio in C… brought about one of the morning's greater pleasures in Helyard's dexterous and extremely well-judged exhibition. »
Melbourne Age – Australia
« Erin Helyard is an ace keyboard man. Eighteenth-century keyboards, that is.”
Sydney Morning Herald – Australia
Susie Napper
To come